DINY Faculty/Staff


MARIANNA TORGOVNICK
                                                                                                                                                 DINY Program Director

                                                                                                                                                 DINY Program Director

Marianna Torgovnick is a Professor of English and the Arts of the Moving Image with wide interests in literature, publishing, painting, sculpture, performance art, photography, dance, opera and film.
She has published acclaimed books including Gone Primitive and Crossing Ocean Parkway. A graduate of NYU and Columbia as well as a Guggenheim Fellow and Fulbright Lecturer, she knows New York well and loves to share her enthusiasm for the city.
EMAIL: tor@duke.edu

JANE BRADLEY
 NYC Program & Teaching Assistant

 NYC Program & Teaching Assistant

Jane Bradley, our NYC-based Program & Teaching Assistant, is an actor and writer with a postgraduate degree from the London Academy of Music and Dramatic Art (LAMDA), and a bachelor’s degree from Mount Holyoke (magna cum laude, Phi Beta Kappa). Jane runs program logistics, supports the professors in both core classes, and advises the students in both academic and personal matters. Jane also brings her own background in the arts and her knowledge of the city to enhance and guide the experience of the students, and to expand the internship network by connecting in person with arts and media organizations.
EMAIL: Jebrad88@gmail.com

Additional Faculty/Staff

Professor Torgovnick brings a second Duke faculty member with her to New York - typically from Theatre, Visual and Media Studies, Music, Literature, Dance or English.  
Also providing support from Duke's Global Education Office:
  • Paul Paparella / ppaparella@duke.edu
  • Elizabeth Richardson / e.richardson@duke.edu

LOUISE MEINTJES
LouiseM.jpeg
Louise Meintjes is an Associate Professor of Music and Cultural Anthropology at Duke University and the principle consultant and voice of Afropop Worldwide’s “The Zulu Factor.” She has authored “Sound of Africa! Making Music Zulu in a South African Studio” (Duke U. Press, 2003) and, most recently, "Dust of the Zulu: Ngoma Aesthetics after Apartheid" (Duke U. Press, 2017).  Louise is a Nathional Humanities Center Fellow.
EMAIL: meintjes@duke.edu

TSITSI JAJI
Jaji_2.jpg
Tsitsi Jaji is an associate professor of English at Duke University with expertise in African and African American literary and cultural studies, with special interests in music, poetry, and black feminisms. Her book, Africa in Stereo: Music, Modernism and Pan-African Solidarity (Oxford), won the African Literature Association’s First Book Prize. She is now at work on two new projects: Cassava Westerns, a study of how global Black writers and artists reimagine the American frontier myth and Classic Black, a study of poetry set to music by black concert music composers.

TAYLOR BLACK
TaylorBlackDuke.jpg
Taylor Black is a Assistant Professor of English at Duke University. He has published on twentieth century American literature, popular music, gender and sexuality studies, queer theory, ontology and theories of becoming and, above all, the subject and practices of style in Women’s Studies Quarterly, American QuarterlyDiscourse and the Journal of Popular Music Studies.  Black is the co-editor of the Spring 2016 issue of WSQ, "Survival," with Frances Bartkowski and Elena Glasberg.  

JEFF STORER
Jeff Storer is a Professor of the Practice of Theater Studies at Duke and co-founder and Artistic Director of Manbites Dog Theater, a professional company founded in 1986. He is co-author of Indecent Materials, Tune of TommyHotline and an adaptation of Allan Guganus' Plays Well With Others. He has directed in New York City; Portland, Oregon; Boston; Winter Park, Florida and Dallas.
EMAIL: bear@duke.edu

JOCELYN OLCOTT
Associate Professor of History

Associate Professor of History

Jocelyn Olcott works on feminist history, principally in modern Mexico. Her first book, Revolutionary Women in Postrevolutionary Mexico, explores questions of gender and citizenship in the 1930s. She is currently completing a history of the 1975 UN International Women's Year Conference, the first of the UN’s women’s conferences, and has returned to a long-standing biography of the activist and folksinger Concha Michel, who performed at MoMA soon after it opened and provided the musical soundtrack for Mexico’s postrevolutionary cultural left.
EMAIL: olcott@duke.edu

ANTHONY KELLEY

                                 Associate Professor of the Practice of Music

Anthony Kelley joined the Duke University music faculty in 2000 after serving as Composer-in-Residence with the Richmond Symphony for three years under a grant from Meet the Composer. He received his B.A. and A.M. from Duke University in 1991.  His recent work, such as his soundtracks to the H. Lee Waters/Tom Whiteside film "Conjuring Bearden" [2006] and Dante James's film, "The Doll" [2007], explores music as linked with other media, arts, and sociological phenomena.
EMAIL: antk@duke.edu

ANNE-MARIA MAKHULU
Asst. Professor of Cultural Anthropology and African & African American Studies

Asst. Professor of Cultural Anthropology and African & African American Studies

Anne-Maria Makhulu is an Assistant Professor of Cultural Anthropology and African & African American Studies at Duke. Her research interests cover: Africa and more specifically South Africa, cities, space, globalization, political economy, occult economies, neoliberalism, Marxism, anthropology of finance, as well as questions of aesthetics, including the literature and cinema of South Africa.
EMAIL: amakhulu@duke.edu